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The first two concerts featured Audra McDonald and Kelli O’Hara, respectively, so the guy is no stranger to swimming with some fairly big fish. This Monday, fans and admirers got to enjoy highlights from Jordan’s career and learn more about this likable young Jewish guy from Texas when he headlined this season’s third installment of the Seth Rudetsky Broadway Town Hall series. Since then, he’s proven a man after my own heart by taking on choice starring roles in one-night-only presentations of Parade and Sweet Smell of Success and found a broader appeal with his onscreen performances in “Smash,” “Supergirl” and the film adaptation of The Last Five Years. It wasn’t until his leading man One-Two-Punch of Newsies and Bonnie & Clyde, one of which I absolutely loved, that I fully realized just how special a talent this guy is. Soon enough, it seemed that he was occupying every coveted cast list to pass through my desk. I first became aware of Jordan when he was announced as the two-show-a-week “Tony” in the most recent revival of West Side Story. With a strong jawline and effortless, soaring voice that seamlessly blends the best elements of pop, legit Broadway, and R&B, it is no accident that his rise to the top has been a rapid one. Hailing from Corpus Christi, by way of Ithaca College, Jordan not only cleaned out the inventory at the Handsome Store, but clearly ransacked the Talent Warehouse en route to Broadway. A man who truly needs no introduction to the readers of this publication, the Tony-nominated tenor occupies one of very few spots in the stratosphere of the elite and, indeed, reigns supreme among those leading men under the age of 40. Jeremy Jordan is heartily emoting on the stage. How fortunate are we that we need not look too far when one Mr. While this bizarre claim generally emanates from the fingertips of those who relish living in their memories and fail to provide any hard evidence, it does leave a person periodically flipping through old Playbills for great examples to the contrary. It’s been said that the era of the great Broadway leading man has passed. Matt Blank, Contributing Critic - New York City